Showing posts with label Fat Jack. Show all posts
Showing posts with label Fat Jack. Show all posts
Monday, May 13, 2019
Thursday, February 15, 2018
Dead Homiez

This is the Soundtrack to the movie Dead Homiez from 1997 which is a tribute to all the fallen homiez. It contains a gang of heavyweights like Volume 10, Sinister, DK Toon, B/Cartoon, Ganjah K, Abstract Rude, Buccet Loc, Quan, Skubie, Flowood, G.O.D. and Dutch. Here you can find the different version of "Front Row" from the Abstract Tribe Unique album "South Central Thynk Taynk".
Labels:
1997,
Abstract Rude,
B/Cartoon,
Buccet Loc,
Compilation,
DK Toon,
Fat Jack,
Flowood,
Ganjah K,
Quan,
Sinister,
Skubie,
Various,
Volume 10
Tuesday, January 30, 2018
Thursday, June 30, 2016
Thursday, April 16, 2015
Monday, April 13, 2015
Next Impression
Labels:
2004,
Compilation,
Fat Jack,
Instrumentals,
Lowd,
Mum's The Word,
Nobody,
Omid,
Presto
Friday, August 29, 2014
Who Framed The A-Team?
You might have heard the A-Team on the Project Blowed compilation for the first time on the track "Maskeraid" for example. Here they (Abstract Rude & Aceyalone) are again but this time with a full-length album. There is another Heavyweights track on it, so that you can find all the released ones on this blog.
Labels:
2000,
Abstract Rude,
Aceyalone,
DJ D,
Djinji Brown,
DK Toon,
Elusive,
Fat Jack,
Ganjah K,
Heavyweights,
Kool DJ EQ,
Mikah 9,
P.E.A.C.E.,
Vic Hop,
Volume 10
Sunday, July 27, 2014
Tuesday, November 26, 2013
Wednesday, August 28, 2013
Scarub & Very - The Classic EP
Look what I have found today in my CD collection! It was still sealed. So I opened it up, ripped it and gave it a listen. It is a pretty dope EP with only 20 minutes of music :(
But.........it is dope stuff! The 6 beats were produced by 4 different persons, one was produced by Fat Jack, yippie!
Wednesday, June 27, 2012
Tuesday, April 24, 2012
Wednesday, January 25, 2012
Impressions On Concrete
Impressions On Concrete is a project where DJ Presto brings various beat-smiths together on two vinyl records. I can remember that I once read that Omid, who also appear on this record, has pushed Presto to release his music because he liked his jazzy beatz. He not only pushed him to but also supported him and probably he also helped him to launch the label Concrete Grooves that was the home for various releases of Presto. The moment I first heard the music from Presto I liked it. He has 3 tracks on this record that are also on Presto's Inflight Instrumentals album and also on one of his 12"es. "Reminisce" is also on Akumas "Eye in the sky" album having a nice tempo of 96bpm. Omid's track "Solarism" is the instrumental of 2Mex's "Control Mexica" off the "B-Boys In Occupied Mexico" album where the track is falsely credited to be produced by Mum's The Word. To meeee it also sounds like it is produced by Omid but it could probably be produced by both. Mum's The Word also appears on this record like Fat Jack, Flaco, M Fusion, DJ Smash, Mr Montes, Khurse and Sach.
Labels:
2002,
Compilation,
DJ Flaco,
DJ Smash,
Fat Jack,
Instrumentals,
Khurse,
M. Fusion,
Mr Montes,
Mum's The Word,
Omid,
Presto,
Sach
Thursday, November 17, 2011
Request: Fat Jack - Natural Hallucinogenics
Besides the two instrumental releases, one he released with DJ D (The Message) and the other one with Mascaria (Timespan), this one was a digital only release and also features some fine MCs. St. Mark 9:23, Mikah 9 and Abstract Rude bring you the background vocals on some tracks while on some other tracks Medusa & Feline Science and also Abstract Rude lay down some verses. As the name of the album implies, the tracks are of a laid-back style and I didn't try it but I can imagine that the album is a good one when being high.
Labels:
2003,
Abstract Rude,
DJ Flaco,
Fat Jack,
Feline Science,
Josef Leimberg,
KoKo,
Medusa,
Mikah 9,
St. Mark 9:23
Thursday, June 30, 2011
It's All Love

Nanana, i'ts all love...ohh. You are reading. Yeah, this is absolutely my favorite Hip-Hop record to date. As I heard it the first time, it totally blew me away. I heard stuff from the Fellowship before but this one was totally different cause of it's 80's style flair and of course Mikah 9 flowing over it in a soulful way. Additionally, he lays down some really dope lines. Especially on "Rise and shine" there is a part where it is hard to tell when he is taking a breath. But not only Mikah's skills shine on this album. It's also the production of Joseph Leimberg. This cat is so fucking talented, he is able to give Mikah a platform that is on the same level and allows him to flow freely and show his love for Hip-Hop.
Not long ago I found out that this album was also meant to be released on Capitul Recordings back in da day, when Acey let's them balls bouncing. And I can't really understand why they didn't push the album. Probably it was too far ahead of all the other stuff from '95 or they weren't able to realize what they held in their hands. Nah, I don't really want to think about it any longer. Fact is, there have been multiple versions of this album. First there was the Pure HipHop Inc version. The sound quality isn't best but it seems to be the most complete version. You can hear that a lot of them tracks haven't been finished completely. Some tracks end abruptly but "Rise and Shine" goes about 1 minute longer if you forget the intro to the track that was added on the other versions. I don't really understand why they took off the rest it really sounds better with the long ending in my opinion. The Pure HipHop Inc version also has 2 versions of "Come Up Off Of My Love", one produced by Joseph Leimberg and the other one produced by Fat Jack. You can only find "Homegirl" on this version while you can find the track "On the line" only on the other ones. The following version was from Mary Joy Recordings from 2001 while the other one followed in 2002 on Basement Records. That's were the re-mastering came from. Last but not least there is also an EP out there from the former Swedish record store 24/7 Records which followed in 2003.
Labels:
1999,
Fat Jack,
Freestyle Fellowship,
Josef Leimberg,
Mikah 9
Friday, October 1, 2010
Mikah 9 - Timetable

For all the Fellowship lovers Mikah 9 released this fine CD in 2001 with material that was unreleased before. You can find excerpts from freestyles of Mikah 9 from Radio sessions and from Good Life sessions. Additionally there is a live recording of "American Nightmare" and there are some tracks that were previously unreleased, for example "Sand To The Beach" and "Fruit Don't Fall". To complete 23 tracks plus one bonus track, Daddy Kev provided some beats to also offer newer works and not only stuff from the past.
Some of the tracks are like a mystery to me. Especially the track "What You See Is What You Get" where it is stated, that it is Produced by Mikah and Sinatra. Frank Sinatra? I dont' know but nearly everything is possible!
Labels:
2001,
Daddy Kev,
Fat Jack,
Freestyle Fellowship,
J-Sumbi,
JMD,
Josef Leimberg,
Mikah 9,
Sinatra
Sunday, June 20, 2010
Abstract Tribe Unique's Golden Quartette

As I mentioned before, in 1995 Abstract Rude was close to a record deal at Grand Royal home of the Beastie Boys. The album Mood Pieces was meant to be released there but only two tracks made it onto a compilation from the label. Behind the scenery there exist two records which have never been released, one only made it to the test pressing status, while the other probably went for promo status, but I'm not sure if it really is a promo record or just a test pressing, too. What I'm talking about is the "Blast Off Into Infinity (12" Test Pressing)" and the "Ohh I'm a Getcha (12" Promo)".
What I think is, that Mike D visited a Good Life session where he probably was impressed by a performance of Abstract Rude & the Tribe Unique and asked them for a demo tape. In his raps, Abstract Rude mentions "I handed a tape to Mike D from Grand Royal" multiple times and also "MC A plays the bass on OG Crew" which might be a hint for a different unreleased version of the "Heavyweights Round III" track, probably the one that was deleted on utube. Also a rough version of "Blast Off Into Infinity" was deleted!
The Blast Off Into Infinity record has stamped in the date NOV 17, 1995 while there isn't no direct clue on the "Ohh, I'm A Getcha" record when it was pressed except that it contains the hint, that it was mastered at Capitul Recordings. But I think that through Aceys deal with Capitul, Abstract gained access to the golden chambers and for that reason, I will definitely date it to '95.
In '97 ATU had a deal with the crown loyal label Big Dada, which resulted in another 12" with two tracks from the Mood Pieces album and later on in '98 followed a 12" on Deemo Records containing the track "Caught Up In the Rappcha" together with a track from Syndrome on the flip-side.
I think that these records give a good hint, how many obstacles upcoming artists have to pass and I don't want to know, how many patience was put into the "Mood Pieces" album through the years before it was finally self-released by ATU. Although I'm not a 100% familiar with all the background info, I think that the given hints paint a good picture of what was happened and I'm glad, that beside a ton of unreleased underground stuff, "Mood Pieces" was finally released in '98! A record that captured me from the first time I heard it and may never let me go...
Labels:
1995,
1997,
1998,
Abstract Rude,
Accapella,
ATU,
Fat Jack,
Instrumentals,
Syndrome
Tuesday, April 6, 2010
Alien Nation - Tell Me / Electric Lady
Wednesday, March 31, 2010
Project Blowed

Being originally released on tape in 1994, I think, there is also a vinyl and a CD version. It sets the land mark between the shutdown of the Good Life sessions and the introduction to the upcoming open-mic sessions at the Project Blowed.
The album contains the second Heavyweights track out of four and a lot more to explore. On Philaflava you can find some tracks flying around which were on the original release and left out on this release for whatever reason. There is also a difference between the vinyl and the CD version because the vinyl version also contains the monumental "Mix Tapes" song from the Nonce.
The tracks are all very dope starting with the track "Jurassick" having a word play by the track name which implies the sick styles of the featured rappers which have lots of experience by being long in the game(jurassic). Followed by a "knock, knock, who's there?" from Self Jupiter introducing the "Strength Of ATU" with a dope-ass beat and having the CVE said "What a pity, I'm living in New York City" and am not able to watch these cats. Figures Of Speech speak out a warning that you better "Don't get it twisted" because it's "Hot", maybe too hot! Tray Loc is followed by Dolla Holla who really sounds like he is Snupe who raps about a "Beautiful day in the neighborhood" and who is followed by "Solo is so low" from DK Toon and B/Cartoon and you know the track, I do it and I think everybody does who is old enough! "This evening" introduces the "Heavyweights Round 2" featuring PEACE, Aceyalone, Nefertiti, Self Jupiter, BJ, Ganjah K, Medusa, Ko Ko, Mikah 9 and Volume 10 interrupted by a "Funky Commercial Break" and followed by some more dope tracks featuring Aceyalone, Ab Rude, CVE and Ellay Khule. Pure Hip-Hop history that's all I can say!
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